The most engaging, visionary, resourceful and innovative exhibitions, programmes and museum projects were celebrated this evening with a gala at event at Christchurch Art Gallery.
Every year, the judges face tough decisions in shortlisting and awarding winners. 2018 was no exception, with over 60 entries across the categories. The list of winners includes a diverse range of museums and art galleries, proving that size, budget and location are no barrier to recognition. What all winners did have in common were inspired approaches to engaging our communities in art, science, history and culture.
This year, a new individual achievement award, commemorating museum legend Mina McKenzie, was presented, by Mina’s grand-daughter Emma McKenzie. The award recognises the significant contribution of an individual to their institution, community or the museum sector. The inaugural recipient of this award is Awhina Tamarapa, who has made a significant contribution to the embedding of Matauranga Māori in New Zealand museums, from governance through to operational levels.
The Museum Project Award went to the visionary Te Awahou Nieuwe Stroom, in Foxton. This project was developed through a ground-breaking three-way cultural partnership. The result is a feeling of real community ownership for the centre.
MOTAT’s ‘Changing Gear’, which tackled the topical issue of cycling, won the award for Exhibition Excellence – Social History. An extremely timely exhibition, it demonstrated how a museum can operate as a platform to inform debate and shape attitudes.
In the Science and Technology category, Kaikoura Museum’s ‘New Normal - The Kaikoura Earthquake Exhibition’ was the unanimous winner. It connected closely with the local community and used a variety of ways to engage audiences in science, achieving a lot with limited resources.
Hastings City Art Gallery’s co-curated exhibition #keeponkimiora brought together artist Edith Amituanai and Kimi Ora Community School and was the winner of the Art category. The judges admired the collaborative ethos of the project that saw students involved in all aspects of the exhibition.
Otago Museum and MTG Hawke’s Bay were joint winners of the Exhibition Excellence - Taonga Māori category. Both demonstrated best practice in collaborative relationships between iwi and museums to exhibit taonga Māori collections. MTG’s ‘He Manu Tīoriori 100 Years of Ngāti Kahungunu Music’ was praised by judges for its success in reconnecting audiences with a musical tradition stretching back 100 years. Otago Museum’s Tūhura Otago Community Trust Science Centre impressed with its truly bicultural approach, enabling visitors to engage with both Te Ao Kai Tahu and Western science.
Two projects outside the box featured in the Most Innovative Public Programme Award. Taupō Museum’s fun and highly popular ‘Dog Show and Gallery for Dogs’ and Otago Museum’s ‘Extreme Science - Taking Science to the Chathams‘. The judging panel commented that, “These two programmes were at opposite ends of the spectrum in terms of resources available to each institution to make the programmes occur but what we loved about both were that they connected with communities in genuine, innovative and engaging ways. Both programmes are proactive and foster access, awareness and make real and tangible connections."
Awards host Christchurch Art Gallery was a finalist in the Exhibition Excellence – Taonga Maori Award with ‘He Rau Maharataka Whenua: A Memory of Land’ and won the Museum Shops Association of Australia and New Zealand Award for Best New Product or Range (over $1 million turnover), with their ‘Look Mum, No Hands’ range developed with artist Wayne Youle. The Dowse Art Museum’s collaborative ‘The Pattern Project’ was also a winner in this category for (under $1 million turnover).
In 2017, a new Arts Access Aotearoa Museum Award was offered for the first time, aimed at increasing the sector’s focus on accessibility. The 2018 award was won by Canterbury Museum’s candid and moving exhibition, ‘The Bristlecone Project’, with judges Richard Benge, Executive Director, Arts Access Aotearoa and Award winning journalist and communicator, Robyn Hunt ONZM, Principal Consultant AccEase, stating that, “The Bristlecone Project exhibition is a powerful example of how museums can include the voices, stories, experience and history of people who have previously experienced exclusion. It had a high standard of accessible features and demonstrated how to include impactful ‘unsafe’ stories in a ‘safe’ museum.”
The ServiceIQ New Zealand Museum Awards are generously supported by ServiceIQ. Abbe Todd who represented ServiceIQ at the Awards ceremony, congratulated all the finalists and winners, saying that, “Museums and galleries are the special places where our stories are told. They connect us, and our visitors, to all those wonderful stories and carry them into the future for generations to come. The winners of every category should be congratulated, and seen as an inspiring example of what can be achieved when dedication, education and entertainment combine.”
Contact: Phillipa Tocker
Executive Director, Museums Aotearoa
M 021 606 135
Exhibition Excellence – Taonga Māori
Otago Museum, Dunedin
Tūhura Otago Community Trust Science Centre
“This project and Centre is an example of bicultural practice and new museology – people focused and action orientated. The project collaboration with Kāi Tahu advisors and participants from inception has resulted in a vibrant, dynamic science centre that enables visitors to engage with both Te Ao Kāi Tahu and Western science. For many this is possibly the first time that they have been able to experience and learn about Te Ao Kāi Tahu in such an innovative way.”
MTG Hawke's Bay, Napier
He Manu Tīoriori 100 Years of Ngāti Kahungunu Music
“This exhibition epitomises the way in which museums in New Zealand can and should be by, for and about Māori, and more specifically iwi, hapū and whānau. This is on par with best practice internationally. The purpose to reconnect – hokinga mahara – the whakapapa and importance of Ngāti Kahungunu music over the past 100 years, has made a huge impact. High visitation from all ages, emotional responses and transmission of intergenerational knowledge all transpired.”
Christchurch Art Gallery Te Puna o Waiwhetu
He Rau Maharataka Whenua: A Memory of Land
Kete Puāwai Basket of Evolution
Most Innovative Public Programme
Extreme Science - Taking Science to the Chathams
“A well thought out and executed programme, we loved the way it was proactive, they identified a need and developed a programme to take to the Chathams. This engaged with the whole community – adults and children. It was collaborative and innovative and overcame logistical challenges to make it happen. The programme received great feedback and you can see from the photos that the kids loved it and that it was hugely appreciated. It has tangible benefits and outcomes and hopefully will encourage some of those kids to become future scientists. We also felt that for the budget, the outcomes were great. External funding was secured and expertise sought from staff at Auckland, Canterbury and Otago Universities as well as Otago Museum staff.”
Dog Show and Gallery for Dogs
“Although the idea of dogs in a museum doesn’t fit with normal gallery and museum protocols we admired this innovative and simple idea. We liked the fact that Taupō Museum took a risk, they broke the rules and it paid off, the community loved it, visitation went up by 500 compared to the same time the previous year. The programme was a good fit for the community and encouraged a whole new audience to engage with the museum. It showcased local creativity from the community and the works produced were innovative and the participants took it very seriously. What we all enjoyed was the fact that participants – human and canine – looked like they were having a great time.”
MindPlus Kids Curators Programme 2017
Dunedin Public Art Gallery
Gordon Walters: New Vision - A Complementary Discourse